Viva Labs #1 Organic Extra Virgin Coconut Oil – 16 oz

• Unrefined, extra-virgin, cold-pressed coconut oil
• USDA certified organic, kosher and gluten free
• Non-GMO project verified
• Free of pesticides, bleach, hexane and trans fats
• Medium-chain triglycerides (MCTs) for weight management and increased energy

The #1 Coconut Oil for Freshness and Purity

Every coconut that goes into Viva Labs Coconut Oil is hand-picked at its peak for optimal freshness and nutritional value. USDA certified organic, non-GMO project verified, non-hexane and free of bleach or deodorizers, our coconut oil is the pure choice to suit your natural lifestyle. Can be used as a dietary supplement, for cooking, baking and as part of your natural beauty routine.

Uses of Viva Labs Coconut Oil:


Dietary Sup

List Price: $ 12.95

Price: $ 12.95

Judging by the first Resort ’15 collections, fashion isn’t ready to kick its sneaker fetish just yet. Case in point: Yigal Azrouël, who styled the looks in his new Cut25 lineup with crisp, white tennis shoes. While the designer won’t be producing the trainers, they complemented the relaxed, sporty vibe he was going for this season. Azrouël’s laid-back approach was most evident in a white jumpsuit and oversize T-shirts cut from a soft, double-face crepe. Those pared-back pieces channeled a nineties-inspired minimalism, as did the standout navy suit that came in a flattering technical twill—its slouchy, cropped trousers were a refreshing change of pace from his staple, second-skin leggings. Speaking of skin, Azrouël didn’t abandon his sexy, body-con aesthetic altogether here, but the fit-and-flare tennis dresses and stretchy cutout sheaths (the ones that combined nautical stripes and Chantilly lace were terrific) seemed a bit more casual and easy to wear than his standard va-va-voom fare. Other highlights included lightweight scuba separates featuring graphic, engineered prints, which added an energetic jolt of color to the mix, and chunky hand-knits backed in lightweight georgette silk. All in all, this outing felt firmly in touch with the here and now and was a definite step forward for Azrouël’s contemporary line.
—Brittany Adams
Runway Feed

Every cool girl who lived in New York during the nineties remembers X-Girl. The fashion line cofounded by Kim Gordon quickly earned a cult following for its shrunken tees, miniskirts, skater pants, and celebrity supporters such as Sofia Coppola and Chloë Sevigny. As a streetwise Manhattan native, X-Girl left a lasting impression on Nomia‘s Yara Flinn, and she cited the brand as a reference point for her new Fall collection. At a showroom preview, the designer also reminisced over days spent leafing through Delia’s catalogs and thrifting at Canal Jeans. Flinn channeled her nostalgia in a modern way. She paired Lurex-flecked mock turtleneck dresses with clean parka coats that looked pretty in pastel-colored taffeta, for example, and teamed cropped sweaters with crepe maxi skirts boasting killer high slits. This season, Flinn was a bit more playful in terms of introducing color and experimenting with specialty fabrications. She latched on to still-happening fringe, which accented several pieces including a boxy T-shirt dress and split-seam tunics. Other highlights included a bomber jacket that came in plush, Astrakhan-effect velvet, and patch-pocket jumpsuits that gave off a utilitarian vibe. Compared with recent outings, there was less emphasis on streetwear and more emphasis on sophistication, which felt like a definite step forward for Nomia.
—Brittany Adams
Runway Feed

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There is a funny disconnect in learning that sister-and-brother duo Camilla Freeman Topper and Marc Freeman used Francis Bacon’s Three Studies of Lucian Freud as a starting point for their new Camilla and Marc collection. Their clothes have none of Bacon’s bilious color, and even less of the unsettled abstraction conveyed in the famous painting, which Christie’s sold for $ 142.4 million last year. In the end, it was the geometric frame enclosing Freud on the triptych that inspired the Australian designers, who went so far as to have a similar piece made for their video and lookbook.

While its sharp linearity appealed to the designers, they ended up with a more feminine balance thanks to floaty organza, a strong diamond jacquard, and soft georgette, all in a palette of mostly black, red, and white. Their checkered lace was the winning material; the openwork grid was pretty and assertive in equal measure. It also conveyed the “game board” theme they used as an additional frame of reference to convey “power and confidence.” It’s in these instances that you wonder whether ideas detract from execution. And yet the designers maintained their figure-flattering silhouettes—waist-emphasizing, knee-grazing, décolletage-baring—and even managed to introduce a neoprene duffle coat and flawless silk satin pant that showed their ability to think forward and finesse. Get past the Bacon comparisons and the other influences and you’re left with a strong, wearable collection that can hold its own.
—Amy Verner
Runway Feed

The See by Chloé team used three key terms starting with “p” to describe the new Fall collection: pretty, preppy, and party-ready. Those words not only described the lineup, they also spoke to the carefree nature of the diffusion brand in general. This season, Clare Waight Keller and co. put a youthful spin on typically grown-up fabrics such as pied-de-poule tweed, which was blown up and shown on flirty drawstring miniskirts and hooded bomber jackets. Meanwhile, a delicate Chantilly lace with a gold foil finish was cut into sporty sweatshirts, wispy slips, and thigh-grazing shifts that looked modern accompanied by a faux fur collar and basket-weave loafers with a slight David Bowie vibe. The faux fur incorporated throughout—on a plush, melon-colored chubby and shearling effect toppers—looked like the real deal (without the luxury price tag, of course). Other playful highlights included basic shirtdresses and button-ups with sequined, trompe l’oeil accents, as well as easy silk separates featuring a “galaxy” print inspired by one of Karl Lagerfeld’s original patterns for the French fashion house from the early eighties. All in all, a very energetic and wearable outing from SBC.
—Brittany Adams
Runway Feed